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| Joe Fletcher Orr (artist) | James Treadell (musician) | Jonathan Lindh (eco architect) |
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| Ben Parry (artist) | Ben Parry (artists) | Conway & Young (artists) |
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| | Roger Hill (artist, broadcaster) | Dr Katy Shaw (Leeds Beckett University) |
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| Luther Blissett High School (anonymous) | Ollie Longhurst (DaDaFest) | Superflex (artists, Copenhagen) |
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| Chris Bishop (artist) | | David Fairclough (Liverpool FC 1975-83) |
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| Hala Al Alaiwat (artist) the English text 'I am a woman' is shown in Arabic | Captain Pengelly (retired seafarer) | Fiona Banner (artist) |
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| The Reverend Max Ripple | PIES (band) | |
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| David Harding (artist) | Forest Swords (musician) | Douglas Coupland (artist, author) |
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| Gerhard Richter (artist) | Sidionie-Gabrielle Colette (author of 'Gigi' 1944) | Roger Cliffe-Thompson (poet) |
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| Sam Ainsley (artist) | Elizabeth Flanagan McCormick (artist) |
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| Jamie Reid (artist) | Harry Meadley (artist) | Michelle Stubbs (DaDaFest) |
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| Simon Morris (artist) | | David Shrigley (artist) |
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| Ross Sinclair (artist) | Foreign Investment (artists' collective) | Andy Warhol (artist) |
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| Clarisse Aubert (artist) | Foreign Investment (artists' collective) | |
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| David Jacques (artist) symbols from the Hobo alphabet | Julieann O'Malley (artist) | Liu Shaojun (artist, Shanghai) |
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| Damon Fairclough (writer) "It's sales time, so it's time for a sales talk, and the most startling sales talk I know is the one delivered by the actor Alec Baldwin in the film Glengarry Glen Ross." | Sean Ashton (poet) | Jack Ehlen (designer) |
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| Matthew Caygill (Leeds Beckett University) | | Dr Zoë Tew-Thompson (Senior Lecturer in Media, Communication, Cultures,
Leeds Beckett University) asked
New Media Geographies students to offer a word that reminded them/made them think of the city and then used the cut-up method to make the phrase. |
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| Roger Cliffe-Thompson (poet) | MeYouAndUs (artists' collective) | Paul Rooney (artist) |
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| Dr Zoë Tew-Thompson (as above) | Clinic (band) | |
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| Steven D. Levitt & Stephen J. Dubner (economist and writer) this phrase is the underlying message of both their 'Freakonomics' books |
Leo Plumb (artist) | Nandu Ullegaddi (Age UK) |
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| Steve Faragher (Kensington Vision CIC and Liverpool Community Radio)
"In an ironic and Surreal twist the Super Output Areas of Liverpool form an arc or semi circle around the city centre becoming known as THE CROISSANT OF INEQUALITY" |
Yann Steunou-Murray (A-level student) | |
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| Nathaniel Mellors (artist, Los Angeles)
| James Quin (artist) | Nathan Jones (artist) |
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| Bethany Hermitt (designer)
| Terry Boyle (citizen)
| Jessie Brennan (artist) |
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| beate maria wörz (artist)
| Harold Offeh (artist)
| Rob Keith (retired seafarer) |
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| Julia Heslop (artist)
| Julie Nugent (young people's domestic violence advisor, Cumbria)
| Harriet Walsh (Permaculture) |
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| Shanaz Gulzar (artist) "The four words are derived from an Urdu poem by Pakistan's most beloved poet Faiz Ahmed Faiz."
| Philip Jeck (artist) from Psalm 139:14
| Ben Parry (artist) |
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| SEEDS (support for Eastern European & Roma communities in Liverpool)
| Esther Wilson (playwright) |
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| Martin Heslop (artist)
| Michelle Stubbs (DaDaFest)
| Miro Griffiths (DaDaFest) |
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| Jason K. Dy, SJ (Filipino/Artist/Priest) The Filipino word 'MAHALAGA' comprises three related words such as
'MAHAL' that means 'love', 'costly' and 'dear'
'HALAGA' that means 'worth,' 'value,' 'price' and
'ALAGA' that means 'ward', 'to care for' and 'to protect.'
The word 'AKO' refers to singular personal pronoun 'I' whereas 'TAYO' refers to
the plural personal pronoun 'we' that is inclusive compared to the word 'KAMI'
that is an 'exclusive we.'
| Kath Keith (wife of retired seafarer)
| Billy Cancel (poet, New York) |
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| Alma Tischler Wood (artist)
| Paul Sullivan (Static)
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| Nina Edge (artist) from Simon Armitage's play 'Odysseus - Missing Presumed Dead' referring to the idea of plenty more fish in the….., to closing (shop) doors and to consumption. In this case being consumed by the sea, by the planet in fact instead of the other way around - the human consuming the planet.
| Claire Potter (artist)
| Rudy Kanhye (artist) from Jean Baudrillard's 'The consumer society' |
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| Bryony Shakespeare-Smyth (artist)
| James Quin (artist)
| MB O'Toole (artist) |
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| Jayne Casey
| Rachel Reupke (artist)
| Eoin Shea (artist) |
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| Derek Horton (artist) Reviewing a performance by the white pianist Burton Greene in 1966 with the African-American saxophonists Pharoah Sanders and Marion Brown, Amiri Baraka used Greene to attack white 'free jazz' musicians in general for what he identified as weak attempts to emulate the vitality of creative black musicians. In Baraka's account Greene's sound is represented as a STUTTERING search for MATERIALITY (the percussive) set against Pharoah Sanders' and Marion Brown's flowing extensions of so-called SPIRITUAL[ITY] manifest musically through human BREATH.
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| Stewart Home (artist) the dark red text reads ART IS SANCTIONED PORNOGRAPHY |
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| Mark Melvin (artist)
| Shaista Aziz (writer, journalist, stand-up comedian)
| Sam Ainsley (artist) |
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| LUST3R (musician)
| Shaun Curtis (Metal Liverpool)
| Brigitte Jurack (artist) |
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| Alex Bellos (author of 'Alex's Adventures in Numberland')
| Professor Franco Bianchini
| Paul Morley (writer, broadcaster) |
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| Chris Erskine
| Zak Dunn-Jurack (age 16) | |
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| Alan Dunn (artist)
| Pavel Büchler (artist)
| Jeff Young (artist) |
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| Sara Clowes (community gardener)
| Marion Harrison (artist)
| Samela Otovic (art student) |
